The Steckman Collection

Bill Steckman with antler crown on antler throne

Bill Steckman with antler crown on antler throne

by Shane Wilson

Bill Steckman’s forty-something year passion for all things antler began innocently enough on a vacation to Newfoundland, Canada in 1969.

Enquiring of a local where he might find a set of moose antlers, Bill was invited to stop by for a visit. Immediately impressed by “what a moose could build without any formal education” Bill offered to trade a bottle of rum for the rack.

Returning many, many times over the years, Bill collected “not hundreds, but thousands of antlers” from over 180 families across Newfoundland, each of whom still receive an annual Christmas card from the Steckmans.

On the homeward journey to Salamanca, New York, Bill’s motorhome was usually  burdened with thirty or forty antler sets or more, prizes won in trade for bottles of rum and scores of Swedish knives! What a sight it must have made rolling down the highway bristling with bone!

And what has Bill done with his mountain of moose antler?

Carved some, commissioned work from others, sold raw at the local Seneca Nation Pow Wow, built furniture blessed by the Pope and filled a custom built ‘cabin’ to the brim, that’s what, and he’s learned a pack in the process that he is willing to share with fellow antler enthusiasts.

Indians in a Boat, antler, artist unknown

Indians in a Boat, antler, artist unknown, Bali

He is currently at a point in his life where deteriorating health has made it difficult to do the things he has in the past (“I have trouble using a screwdriver”) and he feels it is time to divest himself of many of his creations and commissions.

I don’t think it would be an exaggeration to state that Bill Steckman is perhaps one of the first collectors ever of all things antler, and I can’t help wondering if it wouldn’t behoove a contemporary collector to consider acquiring much of Bill’s offering to keep this precious legacy intact.

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Bill grew up quickly. His father died when he was a teenager and he took over the responsibility for providing for his mother and two sisters. According to Bill, “I was working all the time. When television first came I didn’t mind working on roofs, so I put up half the antennas in town, did big tree work, and put in black-top driveways with the power roller I built. Dad was in the hospital for three years, so I didn’t get married until I had every bill paid and found work on the side so that I could give Mom as much money as I did before I was married. I’ve been a busy boy!”

Inside Bill Steckman's cabin

Inside Bill Steckman’s cabin

After serving in the U.S. Navy during WWII, Bill found permanent employment with the Erie Railroad, retiring after 43 years. One glance inside the ‘cabin’ he built from reclaimed railway buildings reveals that his passionate interest in antler, begun during his employ, has blossomed in retirement.

“Everybody calls the camp a museum. It’s 36’x57’ and there isn’t room for anything on the walls and it’s so full of moose antler furniture that you can’t walk through it.”

“It all works out if you make up your mind to do it,” is Bill’s response, when awestruck I asked, “Where did you find the time?”

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Carving on whale rib by Bill Steckman

When Bill began in antler, hardly anyone was working in the medium. A native carver taught him how to carve using a hammer and chisel, but, not surprisingly, he found this difficult. Later he bought a Dremel and foot pedal (prior to the Flexible Shaft attachment) but gave it up when he encountered an artist who exhibited real skill in creating a level of detail he could not match.

Since then, he has commissioned others from around the world to create carvings using the antlers he collected. Sadly, the carvers’ names were lost when the original bases were replaced with Bill’s own black walnut creations. Some carvers are recognizable by their style: Jack Brown’s dragon knives, Clyde Drew‘s native carving, and Tom Cooper’s sheep on sheep horn.  According to Bill, some have been created by a selection of excellent Indonesian carvers from Bali. (Perhaps via the internet some of these artists can be identified?)

'Dragons' on antler, Bali

Dragons on antler, artist unknown, Bali

Bill has focused his own efforts on the creation of antler furniture. Chairs and footstools, dining and coffee tables, Davenports, lamps, and chandeliers – he’s made them all and learned much about working with antler in the process. He works closely with an Amish upholsterer, who covers his creations in tapestry and leather, and, lately, has found an assistant, fellow rail road employee Bill Skoken, who helps with some of the tasks he can no longer perform.

Dining Table and Chairs, antler, by Bill Steckman

Dining Table and Chairs, antler, by Bill Steckman

In addition, Bill has sold many of his antlers during the annual Seneca Nation Allegeny Reservation Pow Wow. Salamanca is the only city in the U.S. to reside completely within a native reserve and Bill took advantage of the event to offer antler for sale. In fact, some years he would cover his 200ft driveway “solid full with antlers to sell (Denis Walrod, author of Antlers can attest to this) and by the end of the pow wow they would all be gone.”

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Bill has learned much about antler, hard won secrets gleaned from trial and error that he is willing to share:

  • Density– Moose antler comes in different densities, “some are lighter than others of similar size, it all depends on what the moose was eating.” He selects the heavy, perfectly formed  antlers for use in his furniture.

    Eagles on rare antler set with matching drop tines

    Eagles on rare antler set with matching drop tines

  • Seasoning – Antlers must be seasoned for several years, otherwise they shrink when used. “While the antler is drying, cut and wedge a 2×4 between the antlers to prevent them from pulling together by several inches. What reduces a trophy measurement is not the shrinking of the antlers but the reduction of the distance between the antlers from turning in.”
  • Dust – When working with antlers – dust is a factor. Bill uses a Grizzly Dust Collection Systemwith 4” pipe and two big bags, into which all of his power saws are plumbed (table saw, planer, jig saw, band saw).
  • Smell– Bill has a dust mask, but hates to wear it. He has a band saw for cutting antler, but will often choose a hacksaw and blade with 22 teeth/inch, “which cuts through awful fast”,  to avoid the stink. “I can’t stand the smell!”
'Marine Life' on antler, artist unknown

Marine Life on antler, artist unknown, Bali

  • Drilling– The gold coloured, cobalt drills bits don’t load up or clog with antler. When drilling into antler, “you only want to go a little ways and then pull out your bit, if you go too far and it’s hot, you’ll never get that bit out!”
  • Handles – Antler tines can be used as handles for tools like screw drivers or chisels. “If you’re got a screw driver with a broken handle, take a tine and drill a hole in it a little narrower than the diameter of your screw driver shaft, put it in water and boil it on your stove for half an hour or so and then take it and tap it in and you’ll never in God’s world get that out. You don’t have to use a drop of glue. I’ve done quite a few tools that way.”
  • Mounting – When mounting antlers to walnut base, use glue and/or a dowel.
  • Antler Dust + Epoxy – Most of his antler furniture is screwed together. To hide visible countersunk screw heads in antler, “save all your shavings from different antlers, because they are all different shades.” Grind the shavings into powder, then combine them to make the same shade as the antler in question. Mix into clear, two-part epoxy and apply. “You can hardly tell where my stuff is put together.”
  • Colours – To colour an antler if it isn’t “just right” you can use: several kinds of wax shoe polish, which can be applied with heat; or, varnish (with stain), MinWax 224, ‘Special Walnut’, available at the hardware store; or crystal potassium permanganate, mixed with water and applied in two or more coats “if you don’t get the right darkness the first time.”

    Dinosaurs on moose antler, artist unknown

    Dinosaurs on moose antler, artist unknown, Bali

  • Colour Application – “I use camel hair brushes and I might spend hours going over an antler, doing it, to get it to my ‘satisification’. Then if it’s got a little bit of a shine to it, what you want to do is take real fine steel wool and go over it lightly and, oh boy, what a piece you’ve got when you’re done!”
  • Finsh – As a finishing coat on some of his items he uses up to six coats of Tung Oil.

    Tapestry Upholstered Chair and Footstool by Bill Steckman

    Tapestry Upholstered Chair and Footstool by Bill Steckman

  • Gorilla Glue – “I use this extra strength Gorilla Glue a lot too. Use it with screws, you don’t want to use much of it, and here’s another thing, if you use Gorilla Glue just by itself, you’ve got to use clamps because it will push it apart when it comes out if you use it too heavy, and you’ll always want to wet the other part just a little bit with water – that’s what makes it work – that’s the catalyst.”

    Eagles and Snakes on caribou antler, artist unknown

    Eagles and Snakes on caribou antler, artist unknown, Bali

  • Rope Work – “I do a lot with a glue gun. The glue gun works well with rope work.” Some of Bill’s furniture bases are made with 3/8” rope and a glue gun. “That is the slickest way to go, use a hammer to tap it in as you go and keep twisting the rope to keep it tight. And here’s something that’s really important, you’re ends are going to screw up and not look very nice, but when you start and end, take Elmer’s White Glue and open up the rope (untwist so you can see through it) and smear with white glue for a couple of inches and you won’t see it when it dries and then take a mat knife and cut it on an angle.”

___________

Indian Chief, artist unknown

Indian Chief, artist unknown, Bali

Bill will soon be 86 years old. He suffers from dizzy spells and macular degeneration, requiring monthly treatments. This winter, with help, he figures he will make his last chair with the few special antlers remaining in his inventory.

I asked Bill to look back over his career in antler to reflect on things that he might have done differently. Without hesitation he said that he would not have sold so many of his antlers raw, since they are now so hard to acquire. Also, he would want to have found someone, like his assistant Bill, to help him with the work much earlier, because, as he says with a grin, “we could have made a bundle!”

I wondered if Bill had some wisdom he would like to pass on to his fellow antler carvers and craftsmen. He thought about this for a moment and then shared, “Don’t ever be in a hurry doing a job, because if you are, you’re going to screw it up. And if someone comes to visit you sometimes it’s best to put your work aside and visit.”

___________

Bill and his wife Anna have no children to whom they can bequeath this marvelous collection of antler furniture and carvings, so Bill is offering it up for sale.

Bill and Anna Steckman

Bill and Anna Steckman

Neighbour, friend and artist, Cassie McLaughlin Woolen, is helping Bill get the word out, and is responsible for most of the photos in this article. She has posted many more images on her Facebook profile and will act as a liaison with Bill, who does not have a computer. Jack Brown also provided some of the photos.

If you are interested in any of the pieces please contact Cassie through Facebook or by phone at  (716) 307-5220, or call Bill directly at (716) 945-1592.

Scrimshaw on Whale Scapula, artist unknown

Scrimshaw on Whale Scapula, artist unknown

How wonderful it would be to preserve Bill’s legacy and build upon it to create a truly great collection of antler sculpture and craft!

Bill Steckman on antler chair

Bill Steckman on one of his antler chair creations

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9 thoughts on “The Steckman Collection

  1. I am personal friends with Bill and his wife Anna and have been to his workshop and camp several times as he lives 45 minutes from my workshop, I am honored to have some of my carvings in his collection. If you ever get the chance to stop and visit and see his collection your chin will hit the floor, seriously, I have never seen so many antlers and carvings in my life and these pictures no way fully encompasses his passion and knowledge, his work is such a inspiration … Nice article Shane

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  2. You mention different densities in moose antlers, or deer antlers, but generally speaking in terms of grams per cubic inch/centimetre what is the range of densities in moose antler? Would you know if anyone has tried to quantify something like that, and if so, do you know if anyone has written such figures down?

    I ask because I am looking to recreate a medieval, 10th century russian flail. The reason I wish to do so is that the flail is a item that was not commonly used during that period, and it’s a great opportunity to gain insights into how such an item may have been used and how effective it would have been as an instrument of the medieval Russian state, known as the Kievan Rus, which formed a major part of the Varangian Guard.

    During that period the striking end of the flail, i.e the ‘ball’, was often made of antler – probably moose antler – hence were egg or football shaped pieces roughly 3-4cm wide and 5-7cm long.

    Heres a link to what they look like – http://club-kaup.narod.ru/rec/arcussr/table131.jpg . The objects I’m taking about are numbered 1-5. I’m interested in the series of objects that make up the top row of the picture in the link.

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    • My guess is that the objects are made from the butt of a moose antler, especially given the cracking pattern evident in the drawing.

      However, it is difficult to see how big the objects are – if they are from the business end of a flail, they also could easily be fashioned from the solid end of the antler tines.

      The observations about moose antler density were anecdotal.

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      • There is a small scale on the bottom of the page. Judging by the scale, most are about 3-5cm wide and about 4-8cm long.

        These are definitely the business ends of the flails. Where on an antler would you find the bigger pieces of the antler and are these the most solid/ dense?

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      • My guess is that most would have been created by sectioning the larger tines (the pointy parts of the antler). Moose antler can support very large tines and the creators of these nasty weapons likely just cut off the tines in pieces (imagine cutting a log for firewood), then carved them. Since there is a little bit of marrow/spongy type material in the centre of the tines, it would have been easy to drill through to insert the rope/leather thong ends. The bases of smaller moose antlers could have been treated the same way.

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  3. bill, shawn here in nl, got anna’s christmas card this morning, are you on facebook if so send a friend request to rhonda head bauld

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  4. That’s my Great Great Great Uncle Bill! He carves such amazing and unbelievable things, and even used to have a talking dog!

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